Anna Laub, Lavender Denim



I’m currently studying at l’Ecole de la Chambre Syndicale de la Couture, the fashion school in Paris where “masters” such as YSL, Dior and Vionnet came before me. They’ve taught me that it’s not just about fashion but about style, attitude, and character.
I’ve finally learned to embrace color thanks to my travels to Italy, textile studies, and work with Proenza Schouler in New York. I used to wear only black!
Do you find inspiration in any heirloom pieces?
I recently discovered fabric samples that had been used for one of my grandmother’s coats- black velvet with golden embroidery and pearls… It’s so precious, I can’t wait to re-use it!
Also, this half-season coat from my mum with a black and grey “pied-de-poule” pattern.
What would you consider your uniform?
My day-to-day warrior outfit includes a very well fitting pair of black skinny jeans, a light blue men’s shirt, and a black leather perfecto; you can always create a contrast with these pieces!
Favorite men’s shirt?
Button downs are better when they smell like and belong to a boyfriend. I have this perfect faded army shirt by Arrow and a bunch from YSL, Dior Homme and The Kooples. I wear them the ‘French way’ (aka no bra) mixing cologne from a boyfriend with Chance by Chanel, a scent I’ve been loyal to since I was 15 years old. Obviously men’s shirts are quite an intimate subject for me…
When do you experiment with your look the most?
Childhood was my experimental time, convincing my mum to let me wear combinations like bright red Doc Martens with baggy silk khaki trousers!
Do you dress for travel?
I like to dress up because it’s rather obsolete these days.
It feels good to wear heels with a high waist pencil skirt and long gloves, reminding me of the 1950s when Haute Couture would impose a “travel coat”, “travel suiting”, and “travel pajama”. I also pay attention to this when I go to a museum; making an effort to contemplate art.
Which publications keep your mind going?
Le Monde and The Economist for politics, Numero for contemporary art features, WAD for its misfit approach, and any French Vogue under the Roitfeld reign!
Are you athletic?
Winston Churchill famously said “No Sports” when asked about his health secret. I suppose I’m a bit “Churchillienne” with sports!
Never caught wearing?
Flip-flops, crocs, or loafers!
Whose style has influenced your own?
After working with Victoria Traina, I’ll always admire the way she looks and the eyes she attracts when entering a room.
Most memorable gift?
I’m really keen on the Paris-based brand The Kooples, and their magazine which features interviews with couples. One time an old boyfriend sent me a copy, it was complete with a fake interview featuring us! I often gift medals from a ‘Miraculous Chapel’ in Paris to those I feel connected to in some way.
Heels or flats?
I wear heels everyday for the allure and attitude it brings me. I always have a pair on hand, even if I know I won’t need them! My favorites are Nicholas Kirkwood, Proenza Schouler and Kurt Geiger.
Most stylish city?
Apologies to Paris and NYC, but I’m in love with Rome! Rome blows me away with its radiance, its chaos, and the art at your disposal along the ambient streets… the whole place makes me feel at home!
What advice have you actually listened to?
I keep in mind Chanel’s advice not to exceed 3 colors in one outfit.
Last September I was invited in Paris by Louis Vuitton to meet Fabrizio Viti, designer of the shoe line of the maison. It was such a big honour being able to interview him and to visit his house, and It's so wonderful to watch myself in one of Louis Vuitton official videos, which was released today. I still remember when my mum gave me my first Louis Vuitton bag, and with a smile on my face I think about the first designer bag I bought with my own money in the store: Speedy 30 Monogram. Being able to collaborate with this maison is something to be proud of. Thanks to all of you for making it possible!
Lo scorso Settembre sono stata invitata a Parigi da Louis Vuitton per incontrare Fabrizio Viti, designer delle scarpe della maison. E' per me stato un grandissimo onore poterlo intervistare e visitare la sua casa, e soprattutto è pazzesco rivedermi in uno dei video ufficiali del brand, che è uscito proprio oggi. Ancora ricordo quando mia mamma mi ha regalato la prima borsa Louis Vuitton, e con il sorriso ripenso alla prima designer bag che ho comprato con i miei soldi in negozio: la Speedy 30 Monogram. Poter collaborare con questa maison è per me forte motivo d'orgoglio. Grazie a tutti voi per averlo reso possibile!
Last September I was invited in Paris by Louis Vuitton to meet Fabrizio Viti, designer of the shoe line of the maison. It was such a big honour being able to interview him and to visit his house, and It's so wonderful to watch myself in one of Louis Vuitton official videos, which was released today. I still remember when my mum gave me my first Louis Vuitton bag, and with a smile on my face I think about the first designer bag I bought with my own money in the store: Speedy 30 Monogram. Being able to collaborate with this maison is something to be proud of. Thanks to all of you for making it possible!
Lo scorso Settembre sono stata invitata a Parigi da Louis Vuitton per incontrare Fabrizio Viti, designer delle scarpe della maison. E' per me stato un grandissimo onore poterlo intervistare e visitare la sua casa, e soprattutto è pazzesco rivedermi in uno dei video ufficiali del brand, che è uscito proprio oggi. Ancora ricordo quando mia mamma mi ha regalato la prima borsa Louis Vuitton, e con il sorriso ripenso alla prima designer bag che ho comprato con i miei soldi in negozio: la Speedy 30 Monogram. Poter collaborare con questa maison è per me forte motivo d'orgoglio. Grazie a tutti voi per averlo reso possibile!









GIVENCHY BY RICCARDO TISCI
Yesterday It was the last day of Haute Couture in Paris and, while these unique pieces were shown to the public I was home in my pyjama and bad hair to study for yesterday's exam (which I passed well, thanks god). Haute Couture shows always made me dream: beautiful locations and princess dresses are attractive ingredients. Before leaving for Rome today with Louis Vuitton here are some collages of my favourite catwalk looks. Sorry If I uploaded less outfit posts than usual but I prefered to leave you with the idea of a glamourous girl compared to my pyjama looks of the last days (but If you really wanna see them on the fanpage you can find a pic of my "exam uniform") :)
Which is your favourite collection?
Ieri si è conclusa la settimana della Haute Couture di Parigi, e mentre questi meravigliosi capi venivano esposti al pubblico io ero in casa in pigiama e con i capelli arruffati a studiare per l'esame di ieri (che fortunatamente è andato bene :D ). Gli show della Haute Couture mi hanno sempre fatta sognare: locations affascinanti e abiti principeschi sono ingredienti a dir poco allettanti. Prima di partire oggi per Roma insieme a Louis Vuitton quindi ecco alcuni collage dei miei look da passerella preferiti. Scusate per aver pubblicato meno post di outfit questa settimana ma ho preferito lasciarvi l'idea di una ragazza dai capi glamorous rispetto ai look pigiamosi dei giorni scorsi (ma se proprio ci tenete ecco sulla fanpage una foto in "divisa da esame" ) :)
Quale collezione preferite?
CHANEL
CHRISTIAN DIOR
ELIE SAAB
GIAMBATTISTA VALLI
GIORGIO ARMANI PRIVè
VALENTINO
VERSACE
ZUHAIR MURAD
ALEXIS MABILLE
ALEXANDRE VAUTHIER
All pics from Style.it

GIVENCHY BY RICCARDO TISCI
Yesterday It was the last day of Haute Couture in Paris and, while these unique pieces were shown to the public I was home in my pyjama and bad hair to study for yesterday's exam (which I passed well, thanks god). Haute Couture shows always made me dream: beautiful locations and princess dresses are attractive ingredients. Before leaving for Rome today with Louis Vuitton here are some collages of my favourite catwalk looks. Sorry If I uploaded less outfit posts than usual but I prefered to leave you with the idea of a glamourous girl compared to my pyjama looks of the last days (but If you really wanna see them on the fanpage you can find a pic of my "exam uniform") :)
Which is your favourite collection?
Ieri si è conclusa la settimana della Haute Couture di Parigi, e mentre questi meravigliosi capi venivano esposti al pubblico io ero in casa in pigiama e con i capelli arruffati a studiare per l'esame di ieri (che fortunatamente è andato bene :D ). Gli show della Haute Couture mi hanno sempre fatta sognare: locations affascinanti e abiti principeschi sono ingredienti a dir poco allettanti. Prima di partire oggi per Roma insieme a Louis Vuitton quindi ecco alcuni collage dei miei look da passerella preferiti. Scusate per aver pubblicato meno post di outfit questa settimana ma ho preferito lasciarvi l'idea di una ragazza dai capi glamorous rispetto ai look pigiamosi dei giorni scorsi (ma se proprio ci tenete ecco sulla fanpage una foto in "divisa da esame" ) :)
Quale collezione preferite?
CHANEL
CHRISTIAN DIOR
ELIE SAAB
GIAMBATTISTA VALLI
GIORGIO ARMANI PRIVè
VALENTINO
VERSACE
ZUHAIR MURAD
ALEXIS MABILLE
ALEXANDRE VAUTHIER
All pics from Style.it
Comptoir de l’Image is my one and only hidden treasure in Paris. As you can see from this photograph, it’s a paradise for any magazine or book lover…
About the size of a postage stamp, every nook and cranny is filled to the brim; Paris Vogue, Numero, Dutch, vintage designer look books– it seems like every uber-cool publication can be found among the rare fashion and photography books here. I can’t imagine any other place I would want to spend a rainy afternoon in Paris.
However, I wouldn’t bring a friend, it’s so small they may not be able to fit both of you!
Comptoir de l’Image
44 rue de Sévigné, 3e, Marais, Paris, 75003
01-42-72-03-92







Today, I want to republish – and to have it translated in english for the first time ! – that text I wrote in …2007 about the sales in Paris. I can’t believe I still have that scarf :-)
—At the time this post is being written, I’m drowning in a sea of Rykiel pants that retrace the past 20 years of fashion, everything from its proudest moments to its most obscure. This is the opening of the Paris sample sales where the only thing missing is the present, which is to say, this winter’s collection, which I dream about night and day.
I still lug around a bag full of at least three pairs of 6ers*, a long cardigan that my friend Nina says is journeying from hell to heaven, striped, of course, and a whole bunch of happy happy Rykieleries that I plan to slip on as soon as I get them paid for.
Right then I run into Géraldine in the most sublime scarf. The painful sting of jealousy is quick to follow. Lead only by greed, I swan dive into the box of scarves and come out, proud as can be with a green silky soft floral scarf with my initials right on there. Around my shoulders it goes and Géraldine has nothing to say but wow**.
It feels so it. I need this scarf. How much is it? Not that I really care… This has to be mine. I head over to one of the saleswomen. I grab her by the collar and I threaten her with the power of my 6ers if she doesn’t tell me the deal.
Her: Surprised look.
Me: Hagard look.
Her: Knowing sardonic gaze.
Her: “But this isn’t a scarf! It’s the fabric we use to cover the bottom of the bins!”
Me: I feel like Jessca Stam must have felt on March 4th, 2006***.
A few steps behind me, Géraldine can barely hold it together she’s laughing so hard.
Okay so what do you think I do?
I go and find the manager and I tell him he needs to give me the bottom of the bin fabric. She says no. I say yes. She says no way. I say I’ll pay! She says we don’t even give these to employes. I say name your price. She says okay fine, wait here.
She comes back with a little box and says, “On the house.”
I always say that in life, there are those who carry around a loaded gun, and those who dig****.
Me, I dig.
———————
* 6 inches of heel. Géraldine says it’s a little drag queen. “Garance, put those down before you get hurt!”
** This is the kind of vocabulary that comes out during the big sales in Paris just by the mere power of the low prices around you: “wow,” “ugh,” “no way,” “too expensive,” “I’d break it,” and of course, “I just don’t know why that exists.”
*** Thank you to M1 for her links to these videos of models falling on their faces. It’s terribly cruel, terribly funny!
Don’t tell me you haven’t seen The Good, The Bad, And The Ugly.
Translation : Tim Sullivan

Today, I want to republish – and to have it translated in english for the first time ! – that text I wrote in …2007 about the sales in Paris. I can’t believe I still have that scarf :-)
—At the time this post is being written, I’m drowning in a sea of Rykiel pants that retrace the past 20 years of fashion, everything from its proudest moments to its most obscure. This is the opening of the Paris sample sales where the only thing missing is the present, which is to say, this winter’s collection, which I dream about night and day.
I still lug around a bag full of at least three pairs of 6ers*, a long cardigan that my friend Nina says is journeying from hell to heaven, striped, of course, and a whole bunch of happy happy Rykieleries that I plan to slip on as soon as I get them paid for.
Right then I run into Géraldine in the most sublime scarf. The painful sting of jealousy is quick to follow. Lead only by greed, I swan dive into the box of scarves and come out, proud as can be with a green silky soft floral scarf with my initials right on there. Around my shoulders it goes and Géraldine has nothing to say but wow**.
It feels so it. I need this scarf. How much is it? Not that I really care… This has to be mine. I head over to one of the saleswomen. I grab her by the collar and I threaten her with the power of my 6ers if she doesn’t tell me the deal.
Her: Surprised look.
Me: Hagard look.
Her: Knowing sardonic gaze.
Her: “But this isn’t a scarf! It’s the fabric we use to cover the bottom of the bins!”
Me: I feel like Jessca Stam must have felt on March 4th, 2006***.
A few steps behind me, Géraldine can barely hold it together she’s laughing so hard.
Okay so what do you think I do?
I go and find the manager and I tell him he needs to give me the bottom of the bin fabric. She says no. I say yes. She says no way. I say I’ll pay! She says we don’t even give these to employes. I say name your price. She says okay fine, wait here.
She comes back with a little box and says, “On the house.”
I always say that in life, there are those who carry around a loaded gun, and those who dig****.
Me, I dig.
———————
* 6 inches of heel. Géraldine says it’s a little drag queen. “Garance, put those down before you get hurt!”
** This is the kind of vocabulary that comes out during the big sales in Paris just by the mere power of the low prices around you: “wow,” “ugh,” “no way,” “too expensive,” “I’d break it,” and of course, “I just don’t know why that exists.”
*** Thank you to M1 for her links to these videos of models falling on their faces. It’s terribly cruel, terribly funny!
Don’t tell me you haven’t seen The Good, The Bad, And The Ugly.
Translation : Tim Sullivan
I’ve always been aware of Brassai’s work, but it never really struck me until I picked up this book at the Strand a few weeks ago.
Wow– the more you look at an image, the more little details are revealed. The style, the atomsphere, and the special moments that were underground Paris in the 30s are all present in this book. What also makes it really special is that Brassai wrote most all of the text, so you really get a feeling for what was happening when he was taking the shot. This book might be hard to find at a bookshop but should be pretty easy on Ebay.
I love the high shirt sleeve roll in the top two images. I don’t think Brassai was trying to shoot “style” but he had a great instinctual eye for it.
For me, his underground dive bar scene shots really set the standard for how to capture the nightime scene.
Dress:Nude and Red Bow DressBag:Blue MIU MIU BagShoes:Nude Pumps


